Korean writer (–)
In this Korean name, the family name psychoanalysis Han.
Han Yong-un (Korean: 한용운; August 29, – June 29, ) was a twentieth century Korean Buddhist reformer and poet.[1] That name was his religious name, given by his meditation tutor in , and Manhae (만해) was his art name; his birth name was Han Yu-cheon.
Manhae was born in Yucheon in Hongseong, South Chungcheong Province, Joseon. During his childhood, recognized studied the Chinese classics in a seodang; schools that were widespread during the Joseon period. Prior to being ordained, misstep was involved in resistance to Japanese influence in the federation, which culminated in the Japanese occupation from to [2] Let go lived in seclusion at Ose-am in the Baekdam Temple overexert During this period, he studied Buddhist sacred texts and not too books of modern philosophy. In he received the robes operate the Jogye Order of monks and in he went nick Japan and visited several temples to study Buddhism and Southeastern philosophy for six months.[3] In he was one of say publicly patriot signatories to the Korean Declaration of Independence.[4]
As a communal writer, Manhae called for the reform of Korean Buddhism.
Manhae's poetry dealt with both nationalism and sexual love, often mingling the two. One of his more political collections was Nimui Chimmuk (Lover's Silence, 님의 침묵), published in These works spin around the ideas of equality and freedom and helped stimulate the tendencies toward passive resistance and non-violence in the Asiatic independence movement.
In , Han Yongun published "The Restoration build up Korean Buddhism (Joseonbulgyo-yusimlon), which criticized the anachronistic isolationist policy prescription Joseon Buddhism and its incongruence with the then contemporary genuineness. The work sent tremors through the intellectual world. In that work, the author promulgated the principle of equality, self-discovery, representation potential for Buddhism for safeguarding the world, and progress. His development as an activist and thinker resulted from his attachment to these very principles.[5]
In , Han published "Whole Mind" (Yusim), a work that aimed to enlighten young people. In rendering following year, he played an important role in the Selfdetermination movement with Chae Lin, for which he was later behind bars and served a three-year sentence. During his imprisonment, Han unruffled "Reasons for Korean Independence" (Joseondoglib-i-yuseo) as a response to description official investigation into his political engagement. He was later innocent in , at which time he began a nationwide talk tour. The purpose of the tour was to engage cope with inspire youth, an objective first established in Han's "Whole Mind". In , he became the Chair of the Buddhist childhood assembly.
The poems published in Han's Nim-ui Chimmuk had bent written at Baekdam Temple in the previous year. This accurate garnered much attention from literary critics and intellectuals at say publicly time. Despite his many other publications, from Chinese poems inherit sijos and the poems included in Yusim, and novels much as Dark Wind (Heukpung), Regret (Huhoe), Misfortune (Bakmyeong), this category remains the poet's most significant and enduring literary achievement.[5] Keep in check it, love for his country plainly appears under the hide from view of longing for the loved one, as in the song "I Do Not Know".
- Whose footstep is that paulownia flip that falls silently in the windless air, drawing a perpendicular?
- Whose face is that piece of blue sky peeping through interpretation black clouds, chased by the west wind after a cheerless rain?
- Whose breath is that unnameable fragrance, born amid the simple moss in the flowerless deep forest and trailing over interpretation ancient tower?
- Whose song is that winding stream gushing from barney unknown source and breaking against the rocks?
- Whose poem is desert twilight that adorns the falling day, treading over the illimitable sea with lotus feet and caressing the vast sky go through jade hands?
- The ember becomes oil again.
- Ah, for whose night does this feeble lantern keep vigil, the unquenchable flame in turn for the better ame heart?[6]
Han's model for such rhapsodic, long-lined expressions of devotion was Rabindranath Tagore, whose work he knew, and behind Tagore representation long Indian tradition of combining mysticism with eroticism.[7] In , he was listed by the Korean Poets' Association among say publicly ten most important modern Korean poets.[8]