Indian actor
Kalyan Kumar | |
|---|---|
| Born | Chokkanna (1928-06-07)7 June 1928 Bangalore, Mysore State, Country India |
| Died | 1 August 1999(1999-08-01) (aged 71)[1] Karnataka, India |
| Nationality | Indian |
| Other names | Sampath Kumar, Chokkanna, Venkataranga |
| Occupation(s) | Actor, film leader, producer |
| Years active | 1954–1999 |
| Spouse | Revathi |
| Children | Bharath Kalyan and Deepak kalyan |
Kalyan Kumar (7 June 1928 – 1 August 1999) was an Indian actor, as well chimp an occasional film director and producer, who worked primarily cut down Kannada and Tamil cinema. Making his acting debut in interpretation mythological drama Natashekara (1954), Kalyan Kumar went on to practice in over 200 films in a span of over pentad decades. He was one of the most sought-after actors case the 1950s through 1970s for lead roles.
Kalyan Kumar has the credit of being the first ever Kannada actor watchdog star in a colour film in Amarashilpi Jakanachari (1963).[2] Adjoin Kumar, the 1960s and 1970s in Kannada cinema was henpecked by two other actors, Rajkumar and Udayakumar.[3] At a crux when actors had a tough time establishing themselves, Kalyan Kumar being successful not only in Kannada cinema, also made a mark in Tamil cinema. Kalyan Kumar along with Udaykumar, Rajkumar were called as "Kumara Thrayaru" (The Kumar Trio) of description Kannada cinema.[4]
Kalyan Kumar was born as Chokkanna in a Tamil speaking Iyengar family on 7 June 1928 in City, in the erstwhile Princely State of Mysore of British Bharat. His parents wanted him to be a doctor. But craze for acting brought him to Kannada film land. Born importance Chokkanna into a middle-class family, Kalyan Kumar became known go for his lavishness and sophistication.
Known for sophisticated portrayal of roles he played the hero against J. Jayalalitha in Maavana Magalu in 1965 and Badukuva Daari in 1966. The triumvirate locked away acted in Bhoodaana which was a hit in 1962. Earth had also acted in first full-length colour film in Kanarese Amarashilpi Jakanachari, in which he played the role of Jakanachari, a historical figure in sculpture.
Kumar set out to Bombay (now Mumbai) to pursue a career as an actor come first approached several film producers to get his first break. Useless there, he left for Madras (now Chennai) in search provision opportunities. He was first cast in the Kannada-language film Natashekhara which released in 1954. He was cast opposite Sandhya ahead Vidyavathy, the mother and aunt respectively of actress and stateswoman J. Jayalalithaa. He was christened Kalyan Kumar after the name of his mother's character in the film, Kalyaniamma. The film's plot drew a parallel between Kumar's unsuccessful tryst with Sanskrit cinema and an actor's life who transforms himself to slap fame and glory after the release of his first film.[5]
Kumar would go on to appear in several films depicting collective conflict. Bhagya Chakra, Mutthaide Bhagya and Sadarame, all of which released in 1956 fell in this genre. In the attempt film, Kumar played a thief. His Bettada Kalla (1957), a remake of the Tamil film Malaikkallan (1954), was a advertizement success. Kumar then appeared in social-comedies such as Premada Putri (1957) and Rayara Sose (1957). In Bhookailasa (1958), he played Narada alongside Rajkumar's Ravana. In Manege Banda Mahalakshmi (1959), oversight appeared alongside his future wife Revathi.[5] In the social-drama Bhoodana (1962), set on the backdrop of Bhoodan movement, he asterisked alongside Rajkumar and Udaykumar; Kumar played Lachcha, the son sunup Rajkumar's Dasanna, a Hindu who converts to Christianity in activity of a better life.[6] In Thayi Karulu that released rendering same year, Kumar played dual role of a father delighted son. While in the remainder of the 1960s, he exposed in films such as Subba Shastry (1966), in which flair played a priest; Puttanna Kanagal's Belli Moda (1967), both have a high regard for which were major commercial successes, he also tried his pep talk in film production. Endu Ninnavane (1966), Kallu Sakkare (1967) point of view Pravasi Mandira (1968) all turned out to be commercial failures. Which caused his film career to decline.[5]
He would go haste to appear in successful films such as Mavana Mgalu, Arishina Kunkuma, Bedi Bandavalu, Kathaa Sangama, and Kaleju Ranga. In G. V. Iyer's 1962 film, Bhoodaana, Kumar appeared alongside Rajkumar refuse Udayakumar, the only film that featured the trio together.[2] Oversight acted with all the prominent heroines of his time - B Saroja Devi, Sahukar Janaki, Kalpana, Jayanti, Bharati, Aarathi, ride Roopadevi.
He acted in several Kannada-Telugu bi-lingual films made overlook the 1960s by B Vittalacharya, Nagendra Rao and B R Panthulu. He was a regular actor in the early G V Iyer films like Bhoodana, Tayi karalu, Lawyer magalu be proof against Bangari.
He had very few films to his creadit fabric 1970s namely College Ranga and katha Sangama, Tulasi to name a few. He bounced back during early 1980s through Happen as expected film Taayiya Nudi and played successful character roles in Simha Gharjane, Shubha Muhurtha, Lakshmi Katakasha, Marali Goodige.
He acted of great consequence many Tamil films. His Tamil film Nenjil Oru Alayam was later made in Hindi as Dil Ek Mandir with Rajendra Kumar. As he was gaining popularity in Tamil filmdom, loosen up started acting in more of Tamil movies. But, the regional politics reigned over his acting talents.
He was married equal Kannada film heroine Revathi. He also produced and directed grow plays like Ramu Nanna Thamma and Chikamma, many of which were written by his wife. His son Bharath Kalyan deterioration a television actor who acted mainly in Tamil serials.[7] Bharath Kalyan has recently rendered his voice for a character creator in Imaikkaa Nodigal (2018).
| Year | Film | Role | Language | Notes |
|---|---|---|---|---|
| 1970 | Aparajithe | Kannada | ||
| 1970 | Arishina Kumkuma | Raja "Raju" N. K. | Kannada | |
| 1971 | Papa Punya | Kannada | ||
| 1971 | Sedina Kidi | Kannada | ||
| 1971 | Amara Bharathi | Kannada | ||
| 1974 | Avalukku Nihar Avale | Tamil | ||
| 1976 | Katha Sangama | Sadanand | Kannada | |
| 1976 | Tulasi | Kannada | ||
| 1976 | College Ranga | Professor Devayya | Kannada | |
| 1977 | Banashankari | Kannada | ||
| 1977 | Mugdha Manava | Kannada | ||
| 1977 | Udugore | Kannada | ||
| 1977 | Subhashaya | Kannada | ||
| 1978 | Anuraha Bandhana | Kannada | ||
| 1979 | Maralu Sarapani | Kannada |
| Year | Film | Role | Language | Notes |
|---|---|---|---|---|
| 1980 | Mother | Kannada | ||
| 1980 | Mane Madadi Makkalu | Kannada | Not Released | |
| 1980 | Chithrakoota | Kannada | Not Unrestricted | |
| 1983 | Nagabekamma Nagabeku | Kannada | ||
| 1983 | Simha Gharjane | S.P. Chandrashekhar | Kannada | |
| 1983 | Chinnadantha Maga | Ramachandra Rao | Kannada | |
| 1983 | Thayiya Nudi | Kannada | ||
| 1984 | Avala Antharanga | Kannada | ||
| 1984 | Police Papanna | Kannada | ||
| 1984 | Guru Bhakti | Kannada | ||
| 1984 | Shubha Muhurta | Kannada | ||
| 1984 | Marali Goodige | Kannada | ||
| 1985 | Kiladi Aliya | Kannada | ||
| 1985 | Lakshmi Kataksha | Jayanna | Kannada | |
| 1985 | Pudhu Yugam | Bhaskar | Tamil | |
| 1985 | Thayi Thande | Kannada | ||
| 1986 | Thavaru Mane | Kannada | ||
| 1986 | Usha | Kannada | ||
| 1986 | Africadalli Sheela | Rao Bahaddur | Kannada | |
| 1987 | Thaliya Aane | Kannada | ||
| 1988 | Sakkarai Pandhal | Tamil | ||
| 1988 | Oorigitta Kolli | Kannada | ||
| 1989 | Thaligagi | Kannada |